弓在古伊朗艺术中是权力的象征

Patryk Skupniewicz
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引用次数: 2

摘要

本文介绍了在古代伊朗帝国时代,弓作为一种标志的图像概念。弓与王权描述的主要来源是美索不达米亚的图像,弓在国王手中展示,与射击本身没有任何联系。在新亚述时期发展起来的描绘统治者脚上放着弓的模型,完全被阿契美尼德帝国的肖像学所采用。在美索不达米亚的传统中,弓与王权的联系的另一个方面是描绘没有箭袋的射击国王的习惯。另一方面,帕提亚和萨珊王朝时期的伊朗艺术采用了箭袋作为游牧草原传统的地位标志,但人们仍然可以在萨珊王朝的图像文物中看到弓作为美索不达米亚意义上的徽章的功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The bow as an insignia of power in the art of ancient Iran
This article presents the iconographic concept of the bow as an insignia in ancient Iran of the imperial era. The primary source of the bow’s association with the depiction of royal power is Mesopotamian iconography, where the bow is shown in the hands of kings without any connection to the act of shooting itself. The model of depicting a ruler with a bow resting on his foot, developed in the Neo-Assyrian period, was entirely adopted by imperial Achaemenid iconography. Another aspect expressing the association of the bow with royal power is the habit of depicting, in the Mesopotamian tradition, shooting kings without quivers. Iranian art of the Parthian and Sasanid periods, on the other hand, adopted the quiver as a sign of status from the nomadic steppe tradition, but one can nevertheless see in Sasanid iconography relics of the functioning of the bow as an insignia in the Mesopotamian sense.
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