舞台、街道和社交媒体

Claire Mouflard
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引用次数: 0

摘要

在新冠肺炎大流行开始时,法国的跨界女权主义者转向社交媒体,谴责几代人以来一直困扰法国电影业和整个社会的种族主义、厌女症和性骚扰。尽管他们的行动早在大流行之前就开始了,比如“我也是”(Me Too)和“黑人的命也重要”(Black Lives Matter)运动,但他们在2020年3月至5月的封锁期间发起的在线辩论(当时游行、抗议或只是在公共场所集会都是非法的)吸引了更多的新观众,超出了他们自己的女权主义和艺术领域。Aïssa Maïga、Rokhaya Diallo、nosammie de Lattre和喜剧二人组Camille和Justine在社交媒体上的帖子和行动引起了对立党派的强烈反应,尤其是“男性主义”和“fsamministes”。这篇文章强调了这些艺术家的交叉话语,以及他们在网上忍受的语言暴力,并思考了数字访问和读写能力方面的公平问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stages, Streets, and Social Media
At the onset of the Covid-19 pandemic, intersectional feminists in France turned to social media to denounce the racism, misogyny, and sexual harassment that have plagued the French film industry and society at large for generations. Although their activism had started long before the pandemic with the Me Too and Black Lives Matter movements, the online debates they initiated during the March–May 2020 lockdown (when it became illegal to march, protest, or simply gather in public) reached new and larger audiences beyond their own feminist and artistic spheres. Social media posts and actions by Aïssa Maïga, Rokhaya Diallo, Noémie de Lattre, and comedy duo Camille et Justine elicited strong reactions from opposing parties, notably the “masculinistes” and the “féministes identitaires.” This article highlights these artists’ intersectional discourses, along with the verbal violence they endure online, and ponders the question of equity in terms of digital access and literacy.
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