{"title":"毕加索","authors":"nohara oonmsh","doi":"10.1163/9789004325739_006","DOIUrl":null,"url":null,"abstract":"* RICHARD CORNISH is an artist, and part-time lecturer in History o f Art, Aesthetics and Philosophy at the Nat ional Art School in Newcastle. Picasso is dead. For artists a certain security has been lost. At the topm ost parts of their heads they know now tha t they will have to create the fu ture o f a rt themselves if they can. T hat no one, no t even those who are seemingly im m ortal, can do it for them . We now look a t Picasso’s paintings d if ferently. Awareness o f his death puts his work in a new light. Com plete now, it","PeriodicalId":276700,"journal":{"name":"The Shock of Recognition","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Picasso\",\"authors\":\"nohara oonmsh\",\"doi\":\"10.1163/9789004325739_006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"* RICHARD CORNISH is an artist, and part-time lecturer in History o f Art, Aesthetics and Philosophy at the Nat ional Art School in Newcastle. Picasso is dead. For artists a certain security has been lost. At the topm ost parts of their heads they know now tha t they will have to create the fu ture o f a rt themselves if they can. T hat no one, no t even those who are seemingly im m ortal, can do it for them . We now look a t Picasso’s paintings d if ferently. Awareness o f his death puts his work in a new light. Com plete now, it\",\"PeriodicalId\":276700,\"journal\":{\"name\":\"The Shock of Recognition\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Shock of Recognition\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789004325739_006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Shock of Recognition","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004325739_006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
* RICHARD CORNISH is an artist, and part-time lecturer in History o f Art, Aesthetics and Philosophy at the Nat ional Art School in Newcastle. Picasso is dead. For artists a certain security has been lost. At the topm ost parts of their heads they know now tha t they will have to create the fu ture o f a rt themselves if they can. T hat no one, no t even those who are seemingly im m ortal, can do it for them . We now look a t Picasso’s paintings d if ferently. Awareness o f his death puts his work in a new light. Com plete now, it