{"title":"当代伊朗文学的形式和体裁","authors":"Laetitia Nanquette","doi":"10.3366/edinburgh/9781474486378.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter discusses the formal and generic characteristics of contemporary Iranian literature, with a focus on prose fiction. It gives an overview of its main genres and forms, focusing on those that do not have equivalents in western literary fields, or whose dynamics of production are distinct. I focus first on genre fiction (crime stories and romances) and then on politico-religious genres (‘Sacred Defence’ texts and literary texts on religious figures)","PeriodicalId":277741,"journal":{"name":"Iranian Literature after the Islamic Revolution","volume":"60 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Forms and Genres in Contemporary Iranian Literature\",\"authors\":\"Laetitia Nanquette\",\"doi\":\"10.3366/edinburgh/9781474486378.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter discusses the formal and generic characteristics of contemporary Iranian literature, with a focus on prose fiction. It gives an overview of its main genres and forms, focusing on those that do not have equivalents in western literary fields, or whose dynamics of production are distinct. I focus first on genre fiction (crime stories and romances) and then on politico-religious genres (‘Sacred Defence’ texts and literary texts on religious figures)\",\"PeriodicalId\":277741,\"journal\":{\"name\":\"Iranian Literature after the Islamic Revolution\",\"volume\":\"60 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Iranian Literature after the Islamic Revolution\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474486378.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Iranian Literature after the Islamic Revolution","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474486378.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Forms and Genres in Contemporary Iranian Literature
This chapter discusses the formal and generic characteristics of contemporary Iranian literature, with a focus on prose fiction. It gives an overview of its main genres and forms, focusing on those that do not have equivalents in western literary fields, or whose dynamics of production are distinct. I focus first on genre fiction (crime stories and romances) and then on politico-religious genres (‘Sacred Defence’ texts and literary texts on religious figures)