读文学警句中的题词

J. W. Day
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引用次数: 1

摘要

第二章认为,文学警句代表了阅读铭文的过程,为前希腊化时代铭文警句的阅读提供了证据。所有时期的警句都“投射”了阅读(和观看):作曲家把阅读想象成在被刻对象面前的一种演讲情境,他们把这种情境的特征写进文本,以适应或指导未来的阅读。两个这样的特征是解释为适合声音阅读的指示语和旨在引导观众反应的对象描述,因此是一种补充观看的阅读投影。本章研究了文学警句中的指示语(第一人称和对话)和描述(非修辞对话和专用对象列表),它们代表了成功阅读的投射,即正在阅读的铭文。本章认为,以类似的方式,在古老的铭文警句中,形式上类似的投影是为了,而且经常是为了,适合或指导阅读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading Inscriptions in Literary Epigram
Chapter 2 argues that literary epigrams that represent the process of reading an inscription provide evidence for the reading of inscribed epigrams in pre-Hellenistic times. Epigrams of all periods ‘project’ readings (and viewings): composers imagined reading as a speech situation in front of the inscribed object, and they wrote features of that situation into the text so as to fit or guide future readings. Two such features are deixis construed to fit vocal readings and description of the object intended to guide viewers’ responses, thus a projection of reading that complements viewing. This chapter examines deixis (first-person and dialogic) and description (ecphrastic dialogues and lists of dedicated objects) in literary epigrams that represent the projection of reading as successful, that is, an inscription being read. The chapter argues that, in comparable ways, formally similar projections in older inscribed epigram were meant to, and regularly did, fit or guide reading.
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