黛西·哈桑《出租的房子》中的身份建构与性别

Afrida Aainun Murshida
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摘要

本文对小说《出租之家》进行了详细的批评性话语分析(CDA),它代表了印度东北地区在令人不安的暴力环境中原住民的斗争、身份政治和“女性身份”的建构。本文将通过作者对“使用语言”的自觉选择来分析和探讨小说中隐含的话语,并探讨其核心理论及其影响。黛西·哈桑的《出租屋》主要以身份建构及其逐渐演变为标志。作者不仅揭示了人物所经历的挣扎,而且还伪造了一种认同感,将其建立在一个人的自我认同上。小说中的人物无法将自己与任何一种特定的文化身份联系起来;相反,他们在外在的暴力包围中,不断地在内心挣扎。这种弱点和无法分配身份的能力最终成为一种强有力的叙事,它构建了一种强有力的话语,突出了“归属感”的细微差别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Identity Constructions and Gender in Daisy Hasan’s The To-Let House
This paper is a detailed Critical Discourse Analysis (CDA) of the novel The To-Let House that represents the indigenous struggles, the politics of identity and the construction of a ‘woman’s identity’ amidst the unsettling environment of violence in the historical context of the North Eastern part of India. The paper would analyse and explore the underlying discourse operating in the novel and investigate the core theories and its impact through the conscious choices of the ‘language in use’ by the author. Daisy Hasan’s The To-Let House is primarily marked with the identity constructions and its gradual evolution. The author not only just unravels the struggles that the characters undergo but also counterfeits a sense of identity instituting it towards one’s self identity. The characters in the novel are unable to affiliate themselves into any one particular cultural identity; rather they constantly are struggling within themselves inwardly, in the midst of the violence surrounding them outwardly. This weakness and inability to assign an identity turns out to be a strong narrative that constructs a powerful discourse highlighting the nuances of ‘belongingness.’
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