{"title":"俄国革命的小说和故事","authors":"David Ayers","doi":"10.3366/edinburgh/9780748647330.003.0009","DOIUrl":null,"url":null,"abstract":"This chapter gives an account of a selection of the earliest fiction and memoirs to come out of the British encounter with the Russian Revolution, including work by Douglas Goldring, Harold Williams, William Gerhardie, Hugh Walpole, W.L. Blennerhassett, Ernest John Harrison, and Oliver Baldwin. Of these, it is Gerhardie who made the most of his experience as a British army officer and of his polyglot talents in forming his novel Futility, while others veer between adventure, conspiracy, propaganda and fantasy.","PeriodicalId":111937,"journal":{"name":"Modernism, Internationalism and the Russian Revolution","volume":"70 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fiction and Story of the Russian Revolution\",\"authors\":\"David Ayers\",\"doi\":\"10.3366/edinburgh/9780748647330.003.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter gives an account of a selection of the earliest fiction and memoirs to come out of the British encounter with the Russian Revolution, including work by Douglas Goldring, Harold Williams, William Gerhardie, Hugh Walpole, W.L. Blennerhassett, Ernest John Harrison, and Oliver Baldwin. Of these, it is Gerhardie who made the most of his experience as a British army officer and of his polyglot talents in forming his novel Futility, while others veer between adventure, conspiracy, propaganda and fantasy.\",\"PeriodicalId\":111937,\"journal\":{\"name\":\"Modernism, Internationalism and the Russian Revolution\",\"volume\":\"70 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernism, Internationalism and the Russian Revolution\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9780748647330.003.0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernism, Internationalism and the Russian Revolution","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9780748647330.003.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter gives an account of a selection of the earliest fiction and memoirs to come out of the British encounter with the Russian Revolution, including work by Douglas Goldring, Harold Williams, William Gerhardie, Hugh Walpole, W.L. Blennerhassett, Ernest John Harrison, and Oliver Baldwin. Of these, it is Gerhardie who made the most of his experience as a British army officer and of his polyglot talents in forming his novel Futility, while others veer between adventure, conspiracy, propaganda and fantasy.