{"title":"当代玛雅妇女剧院","authors":"G. Chacón","doi":"10.5149/northcarolina/9781469636795.003.0005","DOIUrl":null,"url":null,"abstract":"The 4th Chapter focuses on FOMMA and Ajchowen, two foundational Maya women’s theater troupes in Mexico and Guatemala, and their productions. It argues their plays re-envision women’s roles as critical to the future of indigenous peoples. The discussion concludes that both theater collectives underscore a need for political autonomy.","PeriodicalId":431047,"journal":{"name":"Indigenous Cosmolectics","volume":"103 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contemporary Maya Women’s Theater\",\"authors\":\"G. Chacón\",\"doi\":\"10.5149/northcarolina/9781469636795.003.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 4th Chapter focuses on FOMMA and Ajchowen, two foundational Maya women’s theater troupes in Mexico and Guatemala, and their productions. It argues their plays re-envision women’s roles as critical to the future of indigenous peoples. The discussion concludes that both theater collectives underscore a need for political autonomy.\",\"PeriodicalId\":431047,\"journal\":{\"name\":\"Indigenous Cosmolectics\",\"volume\":\"103 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Indigenous Cosmolectics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5149/northcarolina/9781469636795.003.0005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indigenous Cosmolectics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5149/northcarolina/9781469636795.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The 4th Chapter focuses on FOMMA and Ajchowen, two foundational Maya women’s theater troupes in Mexico and Guatemala, and their productions. It argues their plays re-envision women’s roles as critical to the future of indigenous peoples. The discussion concludes that both theater collectives underscore a need for political autonomy.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
