一神论传统中大卫的多样性

Marzena Zawanowska
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引用次数: 0

摘要

在所有主要的一神论传统中,最重要的人物之一是大卫王。在许多方面,他都是古代以色列帝国(更多的是想象而不是真实的)英雄过去的化身,人们普遍认为他是一个统一而有效的国王,大约有四十年(公元前1010-970年)。大卫作为一个正义的国王的宗教形象在希伯来圣经和新约中得到了强调,他被夸张地描述为一个合神心意的人(撒母耳记上13:14;使徒行传13:22),而在古兰经ān中,他被描绘成上帝“在地上的代理人”(古兰经38:26)。他的预言能力也在希伯来圣经中通过上帝对他的各种启示和通过他传达的预言得到了阐述,而他的正义在归因于他的诗篇中得到了强调,这导致了他后来被伊斯兰教认可为先知。在宗教想象中,以及在更广泛的文化、文学和艺术中,大卫的形象不仅象征着公元前一千年的古代犹大王国和以色列的黄金时期,而且还作为复兴和未来弥赛亚希望的来源,正如著名的圣经比喻“耶西的树桩上的一根芽”(以赛亚书11:1-12)。从后流放时代开始,犹太人就相信弥赛亚的救世主-君王会带来一个永恒和平与繁荣的时代,他来自大卫的血统,正是从这个角度来看,早期的基督徒认为他与耶稣的联系,他们在两本福音书中都清楚地说明了这一点(马太福音1章;路加福音3:23-38)。虽然这三种宗教传统的解读普遍倾向于理想化他的形象,但大卫在希伯来圣经中的文学形象是所有圣经人物中最复杂的一个。一方面,他被描绘成一个勇敢的战士,勇敢地击败了歌利亚(撒母耳记上17:49-50),一个强大的军队指挥官和统治者,负责统一耶布斯特城耶路撒冷周围的王国,他征服了耶路撒冷并建立了首都,一个天才的音乐家(撒母耳记上16:14-22),他自己发明了乐器(阿摩司书6:5;历代志上23:2-5),一个虔诚的诗人,写了诗篇中包含的一些诗篇(在后来的资料中通常认为是他的作者),一个深情的情人(例如,撒母耳记上25章的亚比该),一个忠实的朋友(例如,撒母耳记上13-23章的约拿单)和父亲(参见撒母耳记下18:33章他为押沙龙的死哀悼)。另一方面,他
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Variety of Davids in Monotheistic Traditions
One of the most central figures in all of the major monotheistic traditions is King David. He personifies, in many respects, the heroic past of the (more imagined than real) ancient Israelite empire, of which he is commonly believed to have served as a unifying and effective king for about forty years (ca. 1010–970 BCE). David’s religious persona as a righteous king is underlined in the Hebrew Bible and in the New Testament, where he is hyperbolically described as a man after God’s own heart (1 Samuel 13:14; Acts 13:22), while in the Qurʾān he is depicted as God’s “vicegerent on earth” (Sura 38:26). His prophetic abilities are also elaborated in the Hebrew Bible through God’s various revelations to him and prophecies conveyed through him, while his righteousness is underscored in the Psalms attributed to him, which led to his subsequent recognition as a prophet in Islam. In religious imagination, as well as in wider culture, literature and the arts, the figure of David has not only come to symbolize the golden period in the remote past of the ancient Kingdom of Judah and Israel of the first millennium BCE, but also as a source of revival and messianic hopes for the future, as in the famous biblical metaphor “a shoot from the stump of Jesse” (Isaiah 11:1–12). From post-exilic times, Jews believed that the messianic savior-king who will usher in an era of eternal peace and prosperity was to come from Davidic lineage, and it is in this light that the early Christians conceived his connection to Jesus which they made clear in two of the Gospels (Matthew 1; Luke 3:23–38). While the reception exegesis in all three religious traditions generally tended to idealize his image, David’s literary portrayal in the Hebrew Bible is one of the most complex of all biblical characters. On the one hand, he is depicted as a valorous warrior who bravely defeated Goliath (1 Samuel 17:49–50), the powerful army commander and ruler responsible for unifying a kingdom around the Jebusite city, Jerusalem, which he conquered and then established as capital, a gifted musician (1 Samuel 16:14–22), who by himself invented musical instruments (Amos 6:5; 1 Chronicles 23:2–5), a pious poet who authored some of the psalms contained in the Book of Psalms (generally attributed to his authorship in later sources), an affectionate lover (e.g., of Abigail in 1 Samuel 25), and a devoted friend (e.g., of Jonathan in 1 Samuel 13–23) and father (cf. his mourning over Absalom’s death in 2 Samuel 18:33). On the other hand, he
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