沙特阿拉伯王国吉达的石刻与壁画“分析研究”

Mohamed Galal Mahmoud
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引用次数: 0

摘要

本研究的主题旨在讨论岩石艺术的新视角,这些岩石艺术一直困扰着考古学家,并在沙特阿拉伯吉达市的瓦迪法蒂玛山脉及其各个分支中传播。这项研究涉及吉达市附近的七个岩石艺术遗址,其中四个发表在《阿特拉尔杂志》第11期,它们分别在第一个遗址中有介绍;“Jabal Al-Qasab”在吉达-塔伊夫公路上,吉达东南约60公里处,第二个地点;“不来梅”位于吉达东北部,第三址;“Abhr”位于吉达西北部,这是被摧毁的第四个地点;“Umm Hablain”位于吉达东北部。值得一提的是,该研究将对景观和铭文进行重新分析,对一些未在《atlas》杂志第11期发表的研究中讨论的神秘场景进行新的分析,例如奇怪的“Umm Hablain site”场景,将该研究解释为Eland动物的跳跃仪式之一。在非洲传播,特别是在纳米比亚,在研究文本中提到了许多仪式迹象,除了翻译周围的Thamudic铭文之外,这些铭文以前没有被翻译和调查过。至于其他三个未公布的遗址,它们分别在位于Al-Jumum东北的第五个遗址,称为Wadi Hura的铭文。第六处遗址被称为库扎姆宫历史博物馆的岩石壁画,它是在吉达北部萨勒曼湾附近的一个地方发现的,位于阿布尔地区的一个岩石山上。在岩石铭文和绘画中显示的第七个地点是Wadi Ghamra Ze Kinda,它是Nakhlat EL-Shamiya, Wadi Al-Zarqa和Wadi Al-Murir的支流之一,是吉达Wadi Fatima最重要的山谷之一。这些遗址中有人、兽、鸟的铭文,还有题记、塔穆德铭文和其他一些石刻发现;它们可以追溯到旧石器时代晚期,至少可以追溯到新石器时代,其中有重叠的铭文和后来的历史时期(如铁器时代)的发现。此外,在公元前4世纪至公元前1世纪的前伊斯兰时代,除了主题的多样性之外,这些遗址之间的共同特征是在执行铭文或岩画时使用的技术,这些铭文具有不同的内涵,在那里,研究将特别分析确定铭文中出现的一些神秘动物的身份,以及它们与吉达史前人类宗教仪式的联系的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Paintings and Rock Inscriptions in Jeddah of the Kingdom of Saudi Arabia "An Analytic study"
: The theme of this research aims to discuss a new vision for the rock Art that have puzzled archaeologists and spread in the mountains of Wadi Fatima and its various branches in the city of Jeddah, Saudi Arabia. The study dealt with seven sites of rock Art in the vicinity of the city of Jeddah, four of which were published in Atlal Magazine No. 11, where they are represented respectively in the first site; “Jabal Al-Qasab” on the highway of Jeddah-Taif, about 60 km southeast of Jeddah, the second site; “Bremen” located in the north-east of Jeddah, the third site; “Abhr” located northwest of Jeddah, which is destroyed, and the fourth site; "Umm Hablain" located north-east of Jeddah. It is worth mentioning that the study will be re-analyzed the sceneries and inscriptions to have new analyzes for some mysterious scenes that were not discussed in the study published in Atlal Magazine No. 11, such as the strange "Umm Hablain site" scene, where the study will be interpreted as one of the jumping rituals on the animal of Eland. Spread in Africa, especially in Namibia, which has many ritual indications referred to in the text of the study, this in addition to the translation of the surrounding Thamudic inscriptions, which have not been translated and investigated before. As for the other three unpublished sites, they are represented respectively in the Fifth site known as the inscriptions of Wadi Hura, located to the north-east of Al-Jumum. The Sixth site known as the rock drawings in the Khuzam Palace Historical Museum, which were found in a place near Salman Bay located in the north of Jeddah, on one of the rocky hills in the Abhr area. The seventh site represented in the rock inscriptions and drawings in Wadi Ghamra Ze Kinda, one of the tributaries of Nakhlat EL-Shamiya, Wadi Al-Zarqa and Wadi Al-Murir, which is one of the most important valleys of Wadi Fatima in Jeddah. These sites contained inscriptions of humans, animals, and birds, as well as inscriptions of signstribes, Thamudic inscriptions and some other stone finds; they were dated from the Upper Paleolithic period at least until the Neolithic Age, with the presence of overlapping inscriptions and finds from later historical periods such as the Iron Age period. This in addition to the pre-Islamic era in the period between the fourth to the first centuries BC, where the common feature between these sites other than the diversity of their topics is the technique used in the implementation of inscriptions or rock drawings, and these inscriptions carried different connotations, where the study will be addressed in particular analysis determining the identity of some mysterious animals appeared in the inscriptions and the significance of their association with the religious rituals of the Prehistoric Humans in Jeddah.
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