设计你的写作/编写你的设计:艺术与设计专业的学生谈论写作过程和设计过程。

Susan Orr, Margo Blythman, J. Mullin
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引用次数: 14

摘要

如何写作,以及图像与写作之间的关系,在书院内部一直在发生变化。这方面的一些迹象可以在新的作文文本中看到,这些文本强调阅读视觉或在我们主要的视觉文化中教授学生(例如Faigley, George, Selfe, & Palchik, 2004;Alfano & O'Brien, 2005;Ruszkiewicz, Anderson, & Friend, 2006)。然而,很少考虑到学生对视觉和书面的感知。为了确定这种感知是否会改变我们对图像和文字之间关系的理解,以及修改我们的教学方法,我们与英国和美国的艺术与设计专业的学生进行了联合研究。我们在这里讨论了从我们的数据中出现的四个感兴趣的领域:学生与写作/艺术和设计的个人关系,同龄人和观众的角色,与过程的参与以及时间的概念。这项研究支持了一些关于向有视觉偏好的学生教授写作的普遍假设,并对其他假设提出了挑战。由于这些学生的声音,我们提供了一些反思,以加强当前的教学方法,并建议改变我们的课堂方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Designing Your Writing/Writing Your Design: Art and Design Students Talk about the Process of Writing and the Process of Design.
How to write, and the relationship between images and writing, has been changing within the academy. Some indication of this can be seen in the new composition texts that emphasize reading visuals or teaching students in our largely visual culture (e.g. Faigley, George, Selfe, & Palchik , 2004; Alfano & O'Brien, 2005; Ruszkiewicz, Anderson, & Friend, 2006). However, little account has been taken of students' perceptions of the visual and the written. In order to determine whether such perceptions might alter our understandings of the relationship between the image and the word, as well as revise our pedagogy, we conducted joint research with art and design students in the UK and US. We address here four of the areas of interest that emerged from our data: students' personal relationship with writing/art and design, the role of peers and audience, engagement with process, and conceptions of time. The research supported some common assumptions about teaching writing to students with visual preferences, and challenged others. As a result of these student voices, we offer some reflections that reinforce current pedagogies and suggest changes of our classroom methods.
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