{"title":"结构浪潮:论二十世纪下半叶意大利工程的“对技术的真诚奉承”与一些国际财富","authors":"A. D. Magistris","doi":"10.2991/assehr.k.211125.158","DOIUrl":null,"url":null,"abstract":"Rooted in a historical path with solid academic roots and conditioned by the economic policies of the fascist regime, in the post WWII period the Italian engineering culture, and Pier Luigi Nervi enjoined an extraordinary international fortune that crossed the borders of the Cold war. The paper intends to highlight some key-aspects of this complex phenomenon, which in itself represents a fundamental and only partially written page in the history of architecture characterizing the developments of the design culture in the years of the Cold War, both in the West and in the Socialist world and in the USSR in particular.","PeriodicalId":447322,"journal":{"name":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Structural Wave: on “the Sincere Flattery to Technology” and Some International Fortune of Italian engineering in the Second Half of XX Century\",\"authors\":\"A. D. Magistris\",\"doi\":\"10.2991/assehr.k.211125.158\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rooted in a historical path with solid academic roots and conditioned by the economic policies of the fascist regime, in the post WWII period the Italian engineering culture, and Pier Luigi Nervi enjoined an extraordinary international fortune that crossed the borders of the Cold war. The paper intends to highlight some key-aspects of this complex phenomenon, which in itself represents a fundamental and only partially written page in the history of architecture characterizing the developments of the design culture in the years of the Cold War, both in the West and in the Socialist world and in the USSR in particular.\",\"PeriodicalId\":447322,\"journal\":{\"name\":\"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2991/assehr.k.211125.158\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/assehr.k.211125.158","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
二战后,意大利的工程文化和皮埃尔·路易吉·涅尔维(Pier Luigi Nervi)跨越了冷战的边界,在具有坚实学术根基的历史道路上扎根,并受到法西斯政权经济政策的制约,创造了非凡的国际财富。本文旨在强调这一复杂现象的一些关键方面,它本身代表了建筑历史上一个基本的,只是部分书写的页面,它描述了冷战时期设计文化的发展,无论是在西方还是在社会主义世界,特别是在苏联。
The Structural Wave: on “the Sincere Flattery to Technology” and Some International Fortune of Italian engineering in the Second Half of XX Century
Rooted in a historical path with solid academic roots and conditioned by the economic policies of the fascist regime, in the post WWII period the Italian engineering culture, and Pier Luigi Nervi enjoined an extraordinary international fortune that crossed the borders of the Cold war. The paper intends to highlight some key-aspects of this complex phenomenon, which in itself represents a fundamental and only partially written page in the history of architecture characterizing the developments of the design culture in the years of the Cold War, both in the West and in the Socialist world and in the USSR in particular.