回到20世纪20年代

Andy Propst
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引用次数: 0

摘要

贝蒂·科登和阿道夫·格林意识到,在《小镇风云》之后,他们作为编剧的新成功要求他们尝试设计第二部音乐剧。很快,他们就写出了《十亿美元宝贝》,由莫顿·古尔德配乐,在百老汇上演,几乎是在他们的第一个调谐器首次亮相的一年后。这部剧虽然很受欢迎,但并没有对《小镇》产生持久的影响,但它确实帮助他们在米高梅公司(MGM)获得了一份演出机会,他们受聘为百老汇音乐剧《好消息》(Good News)的新电影版写剧本。这是他们长达15年的两岸生活的开始。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Turning to the 1920s
Betty Comden and Adolph Green realized that after On the Town their newfound success as writers required that they attempt devising a second musical. In short order they penned Billion Dollar Baby, with a score by Morton Gould, which opened on Broadway almost one year to the day after their first tuner debuted. The show, though well received, didn’t have the lasting impact of Town, but it did help them secure a gig at MGM, where they were hired to write a screenplay for a new movie version of the Broadway musical Good News. It was the beginning of a bi-coastal existence for them that would last 15 years.
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