达吉斯坦共和国历史文化品牌问题

S. Murtuzaliev
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引用次数: 1

摘要

今天,国家和地区机构的任务之一是创造北高加索联邦区的竞争形象,其文化空间被分割为北高加索文化的传统类型和伊斯兰教,俄罗斯民族,“苏联”和现代大众西方文化,接近其价值体系。达吉斯坦在这个“文化笼子”中占有特殊的地位,它拥有6000多处文化遗产,在数量上占据领先地位的传统民间工艺美术中心——NHPs,是研究的主要对象。由于历史和地理条件的原因,这些独特的方向得到了发展,例如地毯编织中心Tabasaran,珠宝- Kubachi,陶器- Balkhar,木材镶嵌- Untsukul,其产品需求量很大。共和国和俄罗斯联邦的任务是,民族工艺“国家”的产品应成为其标志-品牌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Problems of historical and cultural branding of the Republic of Dagestan
Today, one of the tasks of state and regional structures is to create a competitive image of the North Caucasus Federal District, the cultural space of which is segmented into the traditional type of North Caucasian culture and the Islamic, Russian national, "Soviet" and modern mass Western culture that is close to its value system. Dagestan occupies a special place in this "cultural cage", which has more than 6 thousand cultural heritage sites and occupies a leading position in the number of traditional centers of folk arts and crafts — NHPs, are the main object of study. Due to historical and geographical conditions, such unique directions as, for example, the center of carpet weaving Tabasaran, jewelry — Kubachi, pottery — Balkhar, inlays on wood — Untsukul, whose products are in great demand, have been developed. The task of the republic and the Russian Federation is that the products of the "country" of national craftsmanship should become its hallmark — the brand.
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