{"title":"美国电影新闻学:调查","authors":"E. Callenbach","doi":"10.2307/1209614","DOIUrl":null,"url":null,"abstract":"ERNEST CALLENBACH first became interested in films through the work of the Documentary Film Group, a student organization at the University of Chicago. In Paris, in 1949, he made an informal study of the French motion picture. He is now continuing his studies at the University of Chicago. Part of the material for this article was prepared by BRUCIA FRIED of New York City, and part by ALFRED G. BROOKS, a student in the Theater Arts Department at the University of California, Los Angeles.","PeriodicalId":128945,"journal":{"name":"Hollywood Quarterly","volume":"72 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1951-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"U. S. Film Journalism: A Survey\",\"authors\":\"E. Callenbach\",\"doi\":\"10.2307/1209614\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ERNEST CALLENBACH first became interested in films through the work of the Documentary Film Group, a student organization at the University of Chicago. In Paris, in 1949, he made an informal study of the French motion picture. He is now continuing his studies at the University of Chicago. Part of the material for this article was prepared by BRUCIA FRIED of New York City, and part by ALFRED G. BROOKS, a student in the Theater Arts Department at the University of California, Los Angeles.\",\"PeriodicalId\":128945,\"journal\":{\"name\":\"Hollywood Quarterly\",\"volume\":\"72 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1951-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hollywood Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1209614\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hollywood Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1209614","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
欧内斯特·卡伦巴赫第一次对电影产生兴趣是在芝加哥大学的一个学生组织纪录片组的工作中。1949年，他在巴黎非正式地研究了法国电影。他现在在芝加哥大学继续他的学业。本文的部分材料由纽约市的布鲁西亚·弗里德(BRUCIA FRIED)准备，部分材料由加州大学洛杉矶分校戏剧艺术系的学生阿尔弗雷德·g·布鲁克斯(ALFRED G. BROOKS)准备。
ERNEST CALLENBACH first became interested in films through the work of the Documentary Film Group, a student organization at the University of Chicago. In Paris, in 1949, he made an informal study of the French motion picture. He is now continuing his studies at the University of Chicago. Part of the material for this article was prepared by BRUCIA FRIED of New York City, and part by ALFRED G. BROOKS, a student in the Theater Arts Department at the University of California, Los Angeles.
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