{"title":"深夜脱口秀:边缘电视节目的幽默","authors":"R. A. Buxton","doi":"10.1080/10417948709372704","DOIUrl":null,"url":null,"abstract":"Although conflict and resolution are conventional functions in linear narrative genres, the joke format fails to resolve conflict. Thus, joking is one strategy for encouraging and sustaining resistance to ideological control. Using a cultural studies approach, this essay considers how the jokes of Johnny Carson, David Letterman, and Joan Rivers explore, support, and disrupt different elements of the American social experience.","PeriodicalId":234061,"journal":{"name":"Southern Speech Communication Journal","volume":"68 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1987-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"10","resultStr":"{\"title\":\"The late‐night talk show: Humor in fringe television\",\"authors\":\"R. A. Buxton\",\"doi\":\"10.1080/10417948709372704\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Although conflict and resolution are conventional functions in linear narrative genres, the joke format fails to resolve conflict. Thus, joking is one strategy for encouraging and sustaining resistance to ideological control. Using a cultural studies approach, this essay considers how the jokes of Johnny Carson, David Letterman, and Joan Rivers explore, support, and disrupt different elements of the American social experience.\",\"PeriodicalId\":234061,\"journal\":{\"name\":\"Southern Speech Communication Journal\",\"volume\":\"68 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1987-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"10\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Speech Communication Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10417948709372704\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Speech Communication Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10417948709372704","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The late‐night talk show: Humor in fringe television
Although conflict and resolution are conventional functions in linear narrative genres, the joke format fails to resolve conflict. Thus, joking is one strategy for encouraging and sustaining resistance to ideological control. Using a cultural studies approach, this essay considers how the jokes of Johnny Carson, David Letterman, and Joan Rivers explore, support, and disrupt different elements of the American social experience.