{"title":"大卫·西摩的专辑《作为媒介化工具的卡拉布里亚扫盲之战:编辑和视觉叙事的物质痕迹》","authors":"K. Priem","doi":"10.1515/9783110655599-015","DOIUrl":null,"url":null,"abstract":"The digitization of the UNESCO Archives has brought to light a hitherto unknown photography album (containing contact sheets, comments, and captions) on the social, economic, political, and cultural context of illiteracy in Italy, which was made for UNESCO in 1950 by Magnum co-founder David Seymour.1 Seymour at the time was also famous for his photography essays on the Spanish Civil War and his reportages on children in Europe in the aftermath of the Second World War.2","PeriodicalId":171251,"journal":{"name":"They did not stop at Eboli","volume":"105 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"David Seymour’s Album on the Fight against Illiteracy in Calabria as a Tool of Mediatization: Material Traces of Editing and Visual Storytelling\",\"authors\":\"K. Priem\",\"doi\":\"10.1515/9783110655599-015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The digitization of the UNESCO Archives has brought to light a hitherto unknown photography album (containing contact sheets, comments, and captions) on the social, economic, political, and cultural context of illiteracy in Italy, which was made for UNESCO in 1950 by Magnum co-founder David Seymour.1 Seymour at the time was also famous for his photography essays on the Spanish Civil War and his reportages on children in Europe in the aftermath of the Second World War.2\",\"PeriodicalId\":171251,\"journal\":{\"name\":\"They did not stop at Eboli\",\"volume\":\"105 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"They did not stop at Eboli\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9783110655599-015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"They did not stop at Eboli","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783110655599-015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
David Seymour’s Album on the Fight against Illiteracy in Calabria as a Tool of Mediatization: Material Traces of Editing and Visual Storytelling
The digitization of the UNESCO Archives has brought to light a hitherto unknown photography album (containing contact sheets, comments, and captions) on the social, economic, political, and cultural context of illiteracy in Italy, which was made for UNESCO in 1950 by Magnum co-founder David Seymour.1 Seymour at the time was also famous for his photography essays on the Spanish Civil War and his reportages on children in Europe in the aftermath of the Second World War.2
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
