生态批评回应与流散想象:流散作品中的生态殖民表现

Shahida Riaz, S. Noreen, Rasib Mahmood
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引用次数: 0

摘要

在文学领域,环境敏感性和后殖民创伤之间的关系是一个有趣的交叉视角。生态批评强调自然是一个社会文化价值的空间,作者利用他的想象力来探索与环境有关的问题,比如人类对环境的虐待和以人类为中心的对自然的利用。以Aamer Hussein的短篇小说集,即《天鹅的妻子》为样本,在此背景下,本研究揭示了自然/环境和后殖民理解如何作为愈合殖民创伤的隐喻能指。通过详细的定性内容分析,本文解释了自然是如何在阿米尔·侯赛因的作品中成为一种引人入胜的机制,它将散居的想象与生态意识融合在一起。因此,这项研究引发了一场迫切需要的辩论,即生态批评思想与后殖民意识在巴基斯坦语境中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ecocritical Responsiveness and Diasporic Imagination: An Eco-Colonial Representation in Diasporic Writings
Within the literary realm, the relationship between environmental sensitivity and postcolonial woundedness is an interestingly intersecting perspective. Ecocriticism highlights Nature as a space of sociocultural values where the writer uses his imaginative bend to explore issues related to the environment, such as the maltreatment of the environment by humans and anthropocentric utilization of nature. Taking Aamer Hussein’s collection of short stories, i.e., The Swan’s Wife, as a sample, the current study, in this context, sheds light on how nature/environment and postcolonial understanding can serve as a metaphoric signifier for healing colonial wounds. Through a detailed qualitative content analysis, the paper explains how nature is an engaging mechanism in Aamer Hussein’s selected work that assimilates diasporic imagination with eco-consciousness. The study, thus, initiates a much-needed debate between the role of ecocritical thought and postcolonial consciousness in the Pakistani context.
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