{"title":"贝恩德·赫尔佐根拉特主编。从维珍地到迪士尼世界:美国的自然及其对昨日和今日的不满。《批判研究》第15卷。","authors":"Thomas Carmichael","doi":"10.4000/transatlantica.856","DOIUrl":null,"url":null,"abstract":"The essays in this volume present diverse readings of the place of nature in American culture from the European arrival to the postmodern period. Theoretically informed and richly considered, these essays can loosely be divided into those which take a specific historical moment or representation as their object—Thomas Cole’s Hudson river paintings, Poe’s Julius Rodman, antinomianism in the 1960s, Sam Peckinpah,’s The Wild Bunch, or the cultural logic of the Las Vegas strip, to cite just a few...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"58 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2005-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bernd Herzogenrath (ed). From Virgin Land to Disney World : Nature and Its Discontents in the U.S.A. of Yesterday and Today. Critical Studies, Vol. 15.\",\"authors\":\"Thomas Carmichael\",\"doi\":\"10.4000/transatlantica.856\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The essays in this volume present diverse readings of the place of nature in American culture from the European arrival to the postmodern period. Theoretically informed and richly considered, these essays can loosely be divided into those which take a specific historical moment or representation as their object—Thomas Cole’s Hudson river paintings, Poe’s Julius Rodman, antinomianism in the 1960s, Sam Peckinpah,’s The Wild Bunch, or the cultural logic of the Las Vegas strip, to cite just a few...\",\"PeriodicalId\":422366,\"journal\":{\"name\":\"Transatlantica : Revue d'Études Américaines\",\"volume\":\"58 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2005-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transatlantica : Revue d'Études Américaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/transatlantica.856\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transatlantica : Revue d'Études Américaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/transatlantica.856","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Bernd Herzogenrath (ed). From Virgin Land to Disney World : Nature and Its Discontents in the U.S.A. of Yesterday and Today. Critical Studies, Vol. 15.
The essays in this volume present diverse readings of the place of nature in American culture from the European arrival to the postmodern period. Theoretically informed and richly considered, these essays can loosely be divided into those which take a specific historical moment or representation as their object—Thomas Cole’s Hudson river paintings, Poe’s Julius Rodman, antinomianism in the 1960s, Sam Peckinpah,’s The Wild Bunch, or the cultural logic of the Las Vegas strip, to cite just a few...