{"title":"文学创作","authors":"John B. Nicholson","doi":"10.4324/9780367809416-25","DOIUrl":null,"url":null,"abstract":"“S tepanova’s début was distinguished by brilliant poetic technique and a purity of style,” Dmitry Kuzmin, poet and publisher, wrote fifteen years ago. “Progress along this route would virtually have assured Stepanova of success with the reading public and with the critics, but she chose another and far riskier strategy,” he remarked. It was the ever expanding vocal range that became a hallmark of Stepanova’s development: “At times she I N T R O D U C T I O N","PeriodicalId":123839,"journal":{"name":"Reading and the Art of Librarianship","volume":"27 9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Literary Creation\",\"authors\":\"John B. Nicholson\",\"doi\":\"10.4324/9780367809416-25\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“S tepanova’s début was distinguished by brilliant poetic technique and a purity of style,” Dmitry Kuzmin, poet and publisher, wrote fifteen years ago. “Progress along this route would virtually have assured Stepanova of success with the reading public and with the critics, but she chose another and far riskier strategy,” he remarked. It was the ever expanding vocal range that became a hallmark of Stepanova’s development: “At times she I N T R O D U C T I O N\",\"PeriodicalId\":123839,\"journal\":{\"name\":\"Reading and the Art of Librarianship\",\"volume\":\"27 9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Reading and the Art of Librarianship\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9780367809416-25\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reading and the Art of Librarianship","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780367809416-25","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
诗人兼出版商德米特里·库兹明(Dmitry Kuzmin)在15年前写道:“捷帕诺娃的作品以其精湛的诗歌技巧和纯粹的风格而著称。”他说:“这条路线的进展实际上可以确保斯捷潘诺娃在读者和评论家面前取得成功，但她选择了另一种风险更大的策略。”不断扩大的音域成为斯捷潘诺娃发展的标志:“有时她会N T R O D U C T I O N
“S tepanova’s début was distinguished by brilliant poetic technique and a purity of style,” Dmitry Kuzmin, poet and publisher, wrote fifteen years ago. “Progress along this route would virtually have assured Stepanova of success with the reading public and with the critics, but she chose another and far riskier strategy,” he remarked. It was the ever expanding vocal range that became a hallmark of Stepanova’s development: “At times she I N T R O D U C T I O N
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