{"title":"在这个世界之外:月亮上的想象","authors":"J. Tolliver","doi":"10.3828/cfc.2022.5","DOIUrl":null,"url":null,"abstract":"\nThis article investigates the ways in which cinéma-monde imagines itself “universally” by examining how it portrays its relation to the cosmos, the universe beyond the Earth’s atmosphere. Analyzing Yamina Bachir-Chouikh’s 2002 Rachida, Jean-Pierre Bekolo’s 2005 Les saignantes, and Jean-Marc Vallée’s 2005 C.R.A.Z.Y., this article asks how a consideration of cinéma-monde’s perspective on outer space might allow us to conceive of the “kaleidoscope of Cinéma-monde” (Gott and Schilt) as a planetary phenomenon. The article also explores how imaginations of outer space reconfigure cinéma-monde’s margins in terms of gender and sexuality.","PeriodicalId":437764,"journal":{"name":"Contemporary French Civilization: Volume 47, Issue 1","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Out of this world: the lunar imaginaries of cinéma-monde\",\"authors\":\"J. Tolliver\",\"doi\":\"10.3828/cfc.2022.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article investigates the ways in which cinéma-monde imagines itself “universally” by examining how it portrays its relation to the cosmos, the universe beyond the Earth’s atmosphere. Analyzing Yamina Bachir-Chouikh’s 2002 Rachida, Jean-Pierre Bekolo’s 2005 Les saignantes, and Jean-Marc Vallée’s 2005 C.R.A.Z.Y., this article asks how a consideration of cinéma-monde’s perspective on outer space might allow us to conceive of the “kaleidoscope of Cinéma-monde” (Gott and Schilt) as a planetary phenomenon. The article also explores how imaginations of outer space reconfigure cinéma-monde’s margins in terms of gender and sexuality.\",\"PeriodicalId\":437764,\"journal\":{\"name\":\"Contemporary French Civilization: Volume 47, Issue 1\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary French Civilization: Volume 47, Issue 1\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/cfc.2022.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French Civilization: Volume 47, Issue 1","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/cfc.2022.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Out of this world: the lunar imaginaries of cinéma-monde
This article investigates the ways in which cinéma-monde imagines itself “universally” by examining how it portrays its relation to the cosmos, the universe beyond the Earth’s atmosphere. Analyzing Yamina Bachir-Chouikh’s 2002 Rachida, Jean-Pierre Bekolo’s 2005 Les saignantes, and Jean-Marc Vallée’s 2005 C.R.A.Z.Y., this article asks how a consideration of cinéma-monde’s perspective on outer space might allow us to conceive of the “kaleidoscope of Cinéma-monde” (Gott and Schilt) as a planetary phenomenon. The article also explores how imaginations of outer space reconfigure cinéma-monde’s margins in terms of gender and sexuality.
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