“在贵宾面前,我们就像垃圾一样”:坦桑尼亚舞者的挣扎与磨难

D. Sanga
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引用次数: 0

摘要

根据对达累斯萨拉姆和伊林加舞者的态度理论和原始数据,本文认为坦桑尼亚的舞者受到缺乏认可、基础设施、态度和经济挑战的困扰。出现这些问题的主要原因是,舞蹈在很大程度上是一种临时和自主的职业,雇用了相当多的坦桑尼亚人,无论其社会经济和教育背景如何。然而,舞者在职业生涯中遇到的事情让他们中的许多人失望,尤其是当他们想用它来作为舞蹈家谋生时。这篇文章表明,社区成员和政府未能给予表演艺术产业,特别是戏剧和舞蹈应有的关注,这让包括舞者在内的许多艺术家感到沮丧。因此,本文建议以可负担的价格租用政府拥有的戏剧基础设施,并建造更多的剧院,以缓解戏剧表演场地有限的问题。此外,处理低估舞者的问题,进而影响他们的经济,以及他们如何被看待,也需要对舞者和戏剧行业的贡献进行系统的记录。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘We are like refuse in front of the guest of honour’ : Dancers’ Struggles and Tribulations in Tanzania
Informed by the theory of attitude and original data gathered with dancers in Dar es Salaam and Iringa, this article argues that dancers in Tanzania are dogged by lack of recognition, infrastructural, attitudinal and economic challenges. These problems arise primarily because dancing is largely an ad hoc and autonomous career that employs a considerable number of Tanzanians regardless of their socio-economic and education background. However, what dancers encounter in the career disappoint many of them particularly when they want to use it to earn a living as terpsichoreans. The article shows that failure of community members and the government to give the performing arts industry, particularly theatre and dancing, the attention it deserves frustrated many artistes including dancers. Thus, the article suggests that government-owned theatrical infrastructures be hired at affordable rates with more theatres to be built to ease the problem of limited venues for theatrical performances. Moreover, dealing with the problem of undervaluing dancers that, subsequently, impact on them economically and how they are perceived also requires a systematic documentation of the contributions of dancers and the theatre industry generally.
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