{"title":"二十世纪阿比亚亚拉第一民族社区的社区电影","authors":"Paul A. Schroeder Rodríguez","doi":"10.32870/elojoquepiensa/v0i26.400","DOIUrl":null,"url":null,"abstract":"This essay offers a brief history of community-based filmmaking by first nations communities in Abya Yala during the 20th century, a cinema made by, about, and for the communities that produce it. As context, I first review indianist and indigenist representations of First Nations communities in the Europeanized cinemas of the Americas. I then trace the evolution of community-based filmmaking by First Nations communities in Abya Yala, from a first period in 16mm and Super-8 formats between the 1960s and the 1980s, to a second period in analog video in the 1990s. A future article will consider a third digital period in the 21st century.","PeriodicalId":184092,"journal":{"name":"El ojo que piensa. Revista de cine iberoamericano","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Community-based Cinema by First Nations Communities in Abya Yala in the XX Century\",\"authors\":\"Paul A. Schroeder Rodríguez\",\"doi\":\"10.32870/elojoquepiensa/v0i26.400\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay offers a brief history of community-based filmmaking by first nations communities in Abya Yala during the 20th century, a cinema made by, about, and for the communities that produce it. As context, I first review indianist and indigenist representations of First Nations communities in the Europeanized cinemas of the Americas. I then trace the evolution of community-based filmmaking by First Nations communities in Abya Yala, from a first period in 16mm and Super-8 formats between the 1960s and the 1980s, to a second period in analog video in the 1990s. A future article will consider a third digital period in the 21st century.\",\"PeriodicalId\":184092,\"journal\":{\"name\":\"El ojo que piensa. Revista de cine iberoamericano\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"El ojo que piensa. Revista de cine iberoamericano\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32870/elojoquepiensa/v0i26.400\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"El ojo que piensa. Revista de cine iberoamericano","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32870/elojoquepiensa/v0i26.400","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Community-based Cinema by First Nations Communities in Abya Yala in the XX Century
This essay offers a brief history of community-based filmmaking by first nations communities in Abya Yala during the 20th century, a cinema made by, about, and for the communities that produce it. As context, I first review indianist and indigenist representations of First Nations communities in the Europeanized cinemas of the Americas. I then trace the evolution of community-based filmmaking by First Nations communities in Abya Yala, from a first period in 16mm and Super-8 formats between the 1960s and the 1980s, to a second period in analog video in the 1990s. A future article will consider a third digital period in the 21st century.