Vivian Rodríguez-Rocha, Gloria González-López
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摘要

Gloria Evangelina Anzaldúa 1942年出生于德克萨斯州雷蒙德维尔。她自称是一名墨西哥女性主义女同性恋作家和文化理论家,她的作品对墨西哥裔美国人和墨西哥裔美国人研究(也称为墨西哥裔美国人/墨西哥裔美国人研究)的发展至关重要,并在酷儿研究、残疾研究、妇女和性别研究、墨西哥裔美国女性主义和批判种族理论等领域产生了重大影响。Anzaldúa的作品和她一样是多方面的。它们包含了广泛的体裁,从更传统的散文到自我发展的自传体历史,以及绘画、儿童书籍、小说和诗歌。她的作品涉及身份、主体性、认识论、化身、政治、灵性和社会转型等复杂的理论,所有这些都是以平易近人的风格写成的。《无主之地》理论可以说是她在不同领域和学科中最显著的贡献,在《无主之地》/《La Frontera》中得到了详尽的发展,并基于她作为第六代墨西哥裔美国人在美墨边境长大的经历。这本广受好评的书一直被西方学术界和其他领域的学科委员会所关注。她编辑的一系列有色人种女性文集,尤其是《这是我的背的桥》,也成为文学研究的经典文本。作为一名忠诚的学生和教育家,Anzaldúa大学毕业后获得英语和教育文学学士学位,在德克萨斯州学校系统任教,获得硕士学位,后来在全国各地的大学担任讲师,赚取了大部分收入。在她去世的时候,她在加州大学圣克鲁斯分校(UC Santa Cruz)的一个博士项目已经达到了学位论文的水平,正在写她的博士论文。根据她以前的功绩,她死后被授予博士学位。然而,她与学术界的关系一直很紧张,她一直在努力使自己选择的研究主题、方法和写作风格合法化——众所周知,她不愿遵循西方学术标准,她使用了标志性的代码转换,放弃了本土象征主义,并在严肃的理论术语中与灵性打交道。她于2004年5月死于糖尿病并发症。在她去世后,有关她生活和工作的大量资料被收集在德克萨斯大学奥斯汀分校的一个专门的档案馆里。2007年,Chicana作家和教授Norma Elia Cantú成立了Gloria研究协会Anzaldúa (SSGA),为学术界和其他领域建立一个空间,以发展Gloria E. Anzaldúa鼓舞人心的智力贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gloria E. Anzaldúa
Gloria Evangelina Anzaldúa was born in Raymondville, Texas in 1942. A self-described Chicana feminist lesbian writer and cultural theorist, her work has been pivotal for the development of Chicana and Chicano Studies (also Chicana/o Studies) and has had a significant impact in the fields of queer studies, disability studies, women’s and gender studies, Chicana feminism, and critical race theory. Anzaldúa’s works are as multifaceted as she was. They comprise a wide range of genres, from the more traditional essay to the self-developed autohistoria, along with drawings, children’s books, fiction, and poetry. Her writings engage in complex theorizations regarding identity, subjectivity, epistemology, embodiment, politics, spirituality, and social transformation—all written in an approachable style. Borderlands theory, arguably her most notable contribution across different fields and disciplines, is developed at length in Borderlands/La Frontera and based on her own experiences growing up in the U.S.–Mexico border as a sixth generation Chicana. This acclaimed book has been consistently engaged with across the disciplinary board in Western academia and beyond. Her series of edited collections of writings by women of color and, in particular, This Bridge Called My Back have also become canonical texts for literary studies. A devoted student and educator, Anzaldúa graduated college with a bachelor of arts in English and Education, taught in the Texas school system, earned a master’s degree, and later made most of her income as a lecturer in universities all over the country. At the time of her death, she had attained all but dissertation status in a doctoral program at UC Santa Cruz and was working on her dissertation. A doctoral degree was awarded to her posthumously on the basis of previous merits. However, her relationship with academia was always tense, marked by a constant struggle to legitimize her chosen topics of study, methods, and writing style—famously unwilling to conform to Western academic standards through her signature use of code-switching, the resignification of indigenous symbolism, and her engagement with spirituality in serious theoretical terms. She died in May 2004 from diabetes complications. Upon her death a wealth of materials from her life and work were collected in a dedicated archive housed at the University of Texas at Austin. In 2007, Chicana writer and professor Norma Elia Cantú founded the Society for the Study of Gloria Anzaldúa (SSGA) to establish a space for academic communities and beyond for the development of Gloria E. Anzaldúa’s inspirational intellectual contributions.
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