列奥纳多和米开朗基罗的独特创造力

J. Onians
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摘要

达芬奇和米开朗基罗的艺术创造力可以从神经科学的角度来研究。如果我们认识到,由于良好的进化原因,创造力是罕见的,我们就能欣赏他们的创新精神。我们的遗传物质使我们倾向于模仿我们的长辈和长辈,因为这样更安全。这就是规范如此普遍的原因。这也是为什么创新是罕见的,为什么它经常出现在个人的工作中,由于某种原因,超出了常规。这些人将拥有非凡的神经资源,对艺术家来说,没有什么比他们的默认模式网络(DMN)更重要了,因为他们整合了过去的记忆、现在的经验和未来的计划。艺术家越独立,越不规范,这些资源就越重要,尤其是对达芬奇和米开朗基罗这样的艺术家来说。他们的家庭背景、家庭关系和经历都与其他人不同,这使他们拥有高度分化的网络,由于他们大脑的神经可塑性和注意力训练,他们处于很好的位置,可以利用这些网络,这给了他们心理纪律。这两位艺术家在几个领域也很熟练,这有助于他们的创造力。他们有意识的跨学科性包括来自视觉艺术和音乐(达·芬奇)、建筑(米开朗基罗)的见解,以及两位艺术家对人体解剖学的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Distinctive Creativity of Leonardo and Michelangelo
The artistic creativity of Leonardo da Vinci and Michelangelo can be studied from a neuroscientific perspective. We can appreciate their innovativeness if we recognize that creativity is rare, for good evolutionary reasons. Our genetic material predisposes us to imitate our elders and betters because it is safer that way. This is why norms are so prevalent. This is also why innovation is rare, and why it is often found in the work of individuals who, for some reason, are outside the norm. Such people will possess neural resources that are exceptional, and none will be more important for artists than their default mode networks (DMN), which are vital because of their integration of past memories, present experience, and future planning. The more independent and non-normative the artist, the more crucial are such resources, especially for artists such as Leonardo and Michelangelo. Their family backgrounds, family relationships, and experiences were all unlike those of other people, equipping them with highly differentiated networks, which they were in a good position to exploit because of their brains’ neuroplasticity and their training in attention which gave them their mental discipline. These two artists were also skilled in several fields which contributed to their creativity. Their conscious interdisciplinarity included insights from visual arts and music (for Leonardo), from architecture (for Michelangelo), and from the study of human anatomy for both artists.
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