影像考古学家:与爱德华·杜瓦尔-卡里格和安东尼·博格斯的对话

IF 0.3
Rui Gomes Coelho, Y. Hamilakis
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引用次数: 0

摘要

2019年秋天,布朗大学举办了一场大型展览,由世界著名的海地人、迈阿密艺术家爱德华·杜瓦尔·卡里瓦(Edouard duval - carri, 1954年出生)举办,由布朗大学人文和非洲研究教授、海地历史和艺术专家安东尼·博格斯(Anthony Bogues)策划。题目是“嵌入历史的艺术”。正如展览的标题所表明的那样,即使是粗略地看一下这件作品也可以看出,杜瓦尔-卡里瓦的实践和产出对物质和视觉文化专家、人类学家和艺术考古学家、艺术史学家和后殖民主义学者都有影响。在这个对话中,我们与艺术家和策展人都有接触。Edouard duval - carri应该在物质文化专家中得到更广泛的了解,我们希望接下来的精彩对话将对此做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An archaeologist of images: a conversation with Edouard Duval-Carrié and Anthony Bogues
In the autumn of 2019, Brown University hosted a major exhibition by the world renowned Haitian, Miami-based artist Edouard Duval-Carrié (b. 1954), curated by Brown’s Professor of Humanities and Africana Studies, specialist on Haitian history and art, Anthony Bogues. The title was ‘The Art of Embedded Histories'. As the title of the exhibition indicates, and as even a cursory look at this work could show, Duval-Carrié’s practice and output speak to material and visual culture specialists, and to anthropologists and archaeologists of art, as well as to art historians and scholars of postcolonialism. In this conversation, we engage with both the artist and the curator. Edouard Duval-Carrié deserves to be known more widely amongst material culture specialists, and we hope that the fascinating dialogue that follows will contribute to this.
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