现场与网络空间:21世纪的艺术图书馆与艺术史研究

Kathleen Salomon
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引用次数: 0

摘要

传统上,艺术图书馆是进行研究的特殊场所,这是由于它们收藏的性质,也往往是因为它们所占据的空间。今天,当图书馆的资料以各种方式被提供、发现、获取、创造和展示时,无论是物理的还是虚拟的,艺术史学家们都以不同的方式导航和定义研究路径。与此同时,即使连接的潜力、广度和深度不断扩大,连接思想和收藏的理想仍然存在。盖蒂研究所(Getty Research Institute)研究图书馆的发展,自30年前在数字时代的顶峰首次提出愿景以来,提供了一个框架,通过该框架,可以考虑艺术图书馆和艺术史研究的本质,无论是在现场还是在网络空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Situ and in Cyberspace: the Art Library and Art-Historical Research in the Twenty-First Century
Art libraries have traditionally been exceptional places in which to conduct research, due to the nature of their collections and often also because of the spaces they occupy. Today, when library materials are provided, discovered, accessed, created, and displayed in a variety of ways both physically and virtually, art historians navigate and define research paths differently than in the past. At the same time, the ideal of connecting ideas and collections remains, even as the potential, breadth, and depth of the connections expand. The development of the Research Library at the Getty Research Institute, since the realization of a vision first outlined at the cusp of the digital era thirty years ago, provides a framework by which to consider the nature of art libraries and art historical research, both in situ and in cyberspace.
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