神经科学和建筑设计之间的共同点是:移情、具体化、情感

Marco Marco, A. Bonenberg
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引用次数: 0

摘要

在过去的十年里,神经科学的日益普及已经涉及到建筑学。神经科学家和建筑师都试图从认知功能的角度来理解建筑的体验是如何运作的。多亏了功能磁共振成像等神经成像技术和镜像神经元等发现,这才成为可能。这些研究虽然质量突出,但对于建筑设计的实践来说,实施起来比较困难。然而,建筑理论、现象学和神经科学有一个共同的基础,以移情、具体化和情感为代表。它们是空间意识的框架,是视觉感知的对应物。设计的主要目标是创造生活空间,但要有意义,它必须是人体的“消极”。这个过程是通过“旧”的工具来实现的,即前面提到的移情、化身和情感。然而,如果将传统的解释学与神经科学提供的最新知识相结合,它们可以获得新的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A COMMON GROUND BETWEEN NEUROSCIENCES AND ARCHITECTURAL DESIGN: EMPATHY, EMBODIMENT, EMOTION
In the last decade, the increasing popularity of neuroscience has involved architecture. Both neuroscientists and architects have endeavoured to understand how the experience of architecture works from the standpoint of cognitive functioning. This has been possible thanks to the neuroimaging techniques such as fMRI and discoveries like mirror neurons. These researches, despite their outstanding quality, are difficult to implement for what concerns the practice of architectural design. However, there is a common ground where architectural theory, phenomenology and neuroscience intersect, represented by empathy, embodiment, and emotion. They are the frame of the awareness of space and the counterpart of the visual perception. The main goal of design is to make the living space but to take a meaning, it has to be the “negative” of the human body. This process comes into existence through “old” tools, i.e. the mentioned empathy, embodiment, and emotion. Still, they can get a new meaning if their traditional hermeneutic is blended with the latest knowledge provided by neurosciences.
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