声学空间、现代内部性与科恩戈尔德的城市

Sherry Lee, Sadie Menicanin
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引用次数: 0

摘要

本章考虑了埃里希·科恩戈尔德对独特声学空间描绘的多方面创造性参与。它描述了维也纳的“噪音时代”,在现代化的环境中,这将影响年轻的科恩戈尔德。事实上,科恩戈尔德一生都生活在现代城市环境中。他的美学输出,以及他的听众在这些空间里的聆听体验,在很多方面都是由20世纪复杂的都市生活环境所塑造的。科恩戈尔德世界的这一面,现代身份空间中声音现代性的不可避免的共鸣,对作曲家自己表面上的naïveté和他的音乐明显的政治中立性构成了关键的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Acoustic Space, Modern Interiority, and Korngold’s Cities
This chapter considers Erich Korngold's multifaceted creative engagement with the delineation of distinctive acoustic spaces. It describes an “Age of Noise” in Vienna, within a modernizing environment which would influence a young Korngold. Indeed, Korngold lived his whole life in modern urban environments. His aesthetic output, and indeed, the listening experience of his audiences who lived and heard within those same spaces, have been shaped in many ways by the conditions of twentieth-century metropolitan life in all its acoustic complexity. This facet of Korngold's world, the inevitable resonance of sonic modernity within the spaces of modern identity, compounds the critical challenge to both the composer's own ostensible naïveté and his music's apparent political neutrality.
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