电影预告片中的视觉隐喻与属性设计

Gabriella Sethio, Salima Hakim
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引用次数: 0

摘要

在电影制作中,制作设计是支持叙事或故事的重要方面。在制作设计中,视觉隐喻经常被用作布景和道具的概念,它们能够将冗长的文本转换成较短的视觉效果。视觉隐喻本身是一种对地点、人物、自然和物体的表现,可以成为构建叙事的工具,也可以描述电影中角色的本质。视觉隐喻的运用可以通过理解电影中的人物来完成,因为每个人都有不同的特点和自己的独特性。通过对人物三维方面的理解和运用,作为布景和道具设计的依据,制作设计师可以在布景和道具设计中运用视觉隐喻,使之适合电影中人物和叙事的需要。本文采用定性的方法,以三维人物理论为基础,制作了短片预告片《Setengah Nada Bergeming》,阐述了将视觉隐喻运用到场景和道具设计中的过程。这项研究发现,通过剖析三维角色的每个元素,制作设计师不仅可以强化角色的表现方式,还可以强化角色对整个故事叙事的贡献。关键词:视觉隐喻,3d角色,场景,属性,短片,预告片。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visual Metaphors in Set and Properties Design for ‘Setengah Nada Bergeming’ Film Trailer
In a film production, production design is an important aspect that supports the narrative or story.  In production design visual metaphors are often used as concepts for sets and props which have the ability to transform a long text into a shorter visual. Visual metaphor itself is a representation of a place, person, nature, and object that can be a tool to build a narrative as well as describe the nature of a character in a film. The use of visual metaphors can be done by understanding the characters in the film, because each have different characteristics and its own uniqueness. By understanding and using the 3-dimensional aspect of the character as the basis for the design of sets and props, production designers can apply visual metaphors in the design of sets and properties that are suitable for the needs of characters and narratives in films. This paper uses a qualitative approach which elaborates the process of applying visual metaphors into the set and properties design, by using the 3-dimensional character theory as the base for producing the short film trailer entitled Setengah Nada Bergeming. This research finds that by dissecting each element of the 3-dimensional character, production designer can intensify not only how a character is represented and how its contributes in building the entire narrative of the story. Keyword: visual metaphors, 3-D characters, sets, properties, short film, trailer.
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