{"title":"文化交流筑墙:NHK的“酷日本”和“家的甜蜜东京”","authors":"A. Lafontaine","doi":"10.20885/asjmc.vol6.iss1.art3","DOIUrl":null,"url":null,"abstract":"In this paper I look at two programs broadcasted on NHK—Japan’s public broadcaster—featuring foreigners living in Japan, Cool Japan and Home Sweet Tokyo, and the refracted ways in which Japanese identity is constructed through gazes that are self-Orientalizing and Occidentalizing. I place the two within three contexts: the Cool and Sugoi Japan campaigns, the foreign talent industry, and the increased concerns over foreigners in Japan. Using a functionalist approach, my analysis highlights the roles played by these two programs within Japanese society and for a Japanese audience, especially in its representation of foreign residents in light of cultural nationalism. While NHK produces some programs featuring non-Japanese hosts and guests, Cool Japan and Home Sweet Tokyo are of unique interest for their purported aim to represent and give voice to foreigners living in Japan.","PeriodicalId":280759,"journal":{"name":"Asian Journal of Media and Communication","volume":"86 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Building Walls Through Cultural Exchange: NHK’s Cool Japan and Home Sweet Tokyo\",\"authors\":\"A. Lafontaine\",\"doi\":\"10.20885/asjmc.vol6.iss1.art3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper I look at two programs broadcasted on NHK—Japan’s public broadcaster—featuring foreigners living in Japan, Cool Japan and Home Sweet Tokyo, and the refracted ways in which Japanese identity is constructed through gazes that are self-Orientalizing and Occidentalizing. I place the two within three contexts: the Cool and Sugoi Japan campaigns, the foreign talent industry, and the increased concerns over foreigners in Japan. Using a functionalist approach, my analysis highlights the roles played by these two programs within Japanese society and for a Japanese audience, especially in its representation of foreign residents in light of cultural nationalism. While NHK produces some programs featuring non-Japanese hosts and guests, Cool Japan and Home Sweet Tokyo are of unique interest for their purported aim to represent and give voice to foreigners living in Japan.\",\"PeriodicalId\":280759,\"journal\":{\"name\":\"Asian Journal of Media and Communication\",\"volume\":\"86 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Journal of Media and Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20885/asjmc.vol6.iss1.art3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Journal of Media and Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20885/asjmc.vol6.iss1.art3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Building Walls Through Cultural Exchange: NHK’s Cool Japan and Home Sweet Tokyo
In this paper I look at two programs broadcasted on NHK—Japan’s public broadcaster—featuring foreigners living in Japan, Cool Japan and Home Sweet Tokyo, and the refracted ways in which Japanese identity is constructed through gazes that are self-Orientalizing and Occidentalizing. I place the two within three contexts: the Cool and Sugoi Japan campaigns, the foreign talent industry, and the increased concerns over foreigners in Japan. Using a functionalist approach, my analysis highlights the roles played by these two programs within Japanese society and for a Japanese audience, especially in its representation of foreign residents in light of cultural nationalism. While NHK produces some programs featuring non-Japanese hosts and guests, Cool Japan and Home Sweet Tokyo are of unique interest for their purported aim to represent and give voice to foreigners living in Japan.