古代小说中的奴隶与主人

S. Panayotakis, M. Paschalis
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引用次数: 0

摘要

本卷载有2013年5月27日至28日在克里特岛雷西姆农举行的第七届RICAN会议上提交的大多数文件的修订本。会议的重点是古代小说和有关文本中男女奴隶及其主人/女主人的形象和作用;这些社会类别之间的复杂关系引发了关于奴役与自由、性别与身份、自我稳定与社会流动、社会控制与社会死亡等问题。这些论文提供了广泛而丰富的视角:查里顿的《卡利罗》中对精英女性的奴役,希尔顿的《金口之歌》中对道德奴役的斯多葛主义思想;《查莉顿》中社会地位的逆转与(自我)塑造技巧《查里顿》中关于奴隶制的显性和隐性叙述的相互作用及其对小说读者的影响(欧文斯);色诺芬的《以弗所记》(Trzaskoma)中奴隶制的叙事学、结构和象征中心地位;奴隶制的社会历史维度和伊姆布利克斯的《巴比伦记》(Dowden)中关于专制的突出论述;阿喀琉斯·塔提乌斯(比罗)对奴隶制的描述中,历史准确性与虚构之间的平衡;动物、人类奴隶和精英主人,以及朗古斯的《达芙妮和克洛伊》(鲍伊饰)中罗马的存在;在赫利奥多罗斯的埃塞俄比亚(蒙蒂廖奥)绘制的地理、文化和道德地图上奴隶的分布;在Heliodorus的《Aithiopika》(Morgan和Repath)中,女奴和她们与情妇的关系作为积极和消极的爱情范例;在彼得罗尼乌斯的《萨提里卡》中,自由民的世界是一个自我延续和封闭的宇宙;佩特罗尼乌斯(Panayotakis)的《萨提里卡》(Satyrica)中的美丽、奴役和社会规范和权威人物的不稳定;阿普列乌斯的《变形记》(五月)中描写卢修斯和福提斯的关系时罗马喜剧和挽歌的相互作用;伪卢西安的《奥诺斯》和阿普莱乌斯的《变形记》中与奴隶制有关的词语的语义和功能比较分析《伊索寓言》中被奴役和自由的故事叙述以及古代寓言传统的历史和演变(莱夫科维茨)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Slaves and Masters in the Ancient Novel
The present volume contains revised versions of most of the papers that were delivered at RICAN 7, which was held in Rethymnon, Crete, on 27-28 May 2013. The focus of the conference was on the portrayal and function of male and female slaves and their masters/mistresses in the ancient novel and related texts; the complex relationship between these social categories raises questions about slavery and freedom, gender and identity, stability of the self and social mobility, social control and social death. The papers offer a wide and rich range of perspectives: enslavement of elite women in Chariton's Callirhoe and Stoic ideas of moral slavery in Dio Chrysostom (Hilton); reversal of social status and techniques of (self-)characterization in Chariton (De Temmerman); the interaction between implicit and explicit narratives of slavery in Chariton and its effect on the readers of the novel (Owens); the narratological, structural and symbolic centrality of slavery in Xenophon's Ephesiaka (Trzaskoma); the socio-historical dimensions of slavery and the prominent discourse on despotism in Iamblichus' Babyloniaka (Dowden); the balance between historical accuracy and fiction in the representation of slavery in Achilles Tatius (Billault); animals, human slaves and elite masters, and the presence of Rome in Longus' Daphnis and Chloe (Bowie); the distribution of slaves on the geographical, cultural and moral maps drawn in Heliodorus' Aithiopika (Montiglio); slave women and their relationships to their mistresses as positive and negative paradigms of love in Heliodorus' Aithiopika (Morgan and Repath); the freedman's world as a self-perpetuating and closed universe in Petronius' Satyrica (Bodel); beauty, slavery and the destabilization of societal norms and authority figures in Petronius' Satyrica (Panayotakis); the interaction between Roman comedy and elegy in the representation of the relationship of Lucius and Photis in Apuleius' Metamorphoses (May); a comparative analysis of the semantics and function of slavery-related terms in pseudo-Lucian's Onos and Apuleius' Metamorphoses (Paschalis); enslaved and free storytelling in the Life of Aesop and the history and evolution of the ancient fable tradition (Lefkowitz).
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