人与至高力量:博尔迪诺作品场景中的不变要素

O. Zaslavskii
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引用次数: 0

摘要

在“贝尔金的故事”,“小悲剧”和普希金的其他一些作品(包括那些雕塑神话)中,有一个共同的场景,即角色与不可控制的力量(特别是超人的本性)之间的直接冲突。这种力量在很长一段时间内笼罩在角色身上,并突然在身体上实现。因此,角色会与致命的力量作斗争或失去自己的意志——无意识地摔倒(最常见的反应),乞求怜悯或逃跑。这种情况的持续可重复性在这里揭示了结构的不变性。它可以与隐藏的强大观察员的存在以及基于过去缔结的条约的阴谋情结相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PERSON AND SUPREME FORCES: INVARIANT ELEMENTS IN SCENES OF BOLDINO WORKS
In “The Tales of Belkin”, “Little Tragedies” and some other works of Pushkin (including those of the sculptural myth) there is a common scene associated with direct clash between a character and uncontrollable forces (in particular, of superhuman nature). Such a force impends over a character during a long time and, suddenly, actualizes physically. As a result, a character fights against the fatal forces or loses his/her will - falls without unconscious (the most frequent reaction), begs for mercy or runs away. Insistent repeatability of the situation revels here a structural invariant. It can be combined with the presence of a hidden powerful observer as well as with a plot complex based on a treaty concluded in the past.
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