种族、暴力与城市:当代美国电影与文学中芝加哥黑人的彬彬有礼

Izabella Kimak, Zbigniew Mazur
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引用次数: 0

摘要

在本文中,我们来看看最近的三部电影:《土子》(2019年,导演)。拉希德·约翰逊,根据理查德·赖特1940年的小说改编),寡妇(2018,导演。《史蒂夫·麦奎因》(改编自1983年的一部电视剧),以及《你给的仇恨》(2018年,导演)。小乔治·蒂尔曼(George Tillman Jr.),改编自黑人导演安吉·托马斯(Angie Thomas)的一本书,展示了美国城市环境中黑人和白人之间的互动。我们认为,其中两部电影——《本土之子》和《寡妇》——以芝加哥为背景,而《你给予的仇恨》则以一个虚构的城市为背景,与“风城”有着强烈的相似之处,这有助于阐明21世纪美国城市中持续的种族分裂。这三部电影表明,黑人和白人地区之间的鸿沟僵化不可避免地导致种族暴力的爆发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Race, Violence, and the City: Chicago’s Black Urbanity in Contemporary American Film and Literature
In this article we look at three recent films–Native Son (2019, dir. Rashid Johnson, based on Richard Wright’s 1940 novel), Widows (2018, dir. Steve McQueen, based on a 1983 TV series), and The Hate U Give (2018, dir. George Tillman Jr., based on a book by Angie Thomas)–by Black directors that showcase the interactions between Blacks and whites in an American urban milieu. We argue that the setting of two of these films–Native Son and Widows–in Chicago, with The Hate U Give being set in a fictional urban setting bearing a strong resemblance to the Windy City, serves to articulate the continuing racial divisions of American cities in the twenty-first century. The three films show that the fossilization of the divide between Black and white districts inevitably leads to outbreaks of racial violence.
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