巴恩斯小说《复兴》中屠格涅夫的人格感知与作品

Yulia V. Chernova, Militsa Nikolich
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摘要

本文分析了朱利安·巴恩斯的小说《复兴》中屠格涅夫的形象。本文旨在揭示屠格涅夫形象在《复兴》故事中的特点和作用。之所以选择这个研究主题,是因为人们对这位英国作家的作品在俄罗斯文学研究中一直很感兴趣。屠格涅夫的人格和作品对巴恩斯的世界观和文本产生了重要影响。在《复兴》一书中,作者着重描写了屠格涅夫与戏剧演员玛丽亚·萨维娜最后一段爱情的艺术形象。巴恩斯利用屠格涅夫生活中的真实事件,通过运用虚构、碎片化和讽刺的文学技巧,创造了他自己对发生的事情的看法。英国作家让读者参与到一个特定的游戏中。关于这位俄国作家的最后一段爱情,读者很难判断哪些事实是真实的,因为屠格涅夫和女演员之间发生的事情的零碎形象使它变得更加复杂,并且由俄国作家的信件来说明,这些信件在情节之间频繁地转换,显示了记忆的不可靠性。对俄罗斯作家个性和作品的理解与巴恩斯作品中的主要主题如衰老、死亡和爱情有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PERCEPTION OF PERSONALITY AND WORK OF I.S. TURGENEV IN THE STORY “THE REVIVAL” BY J. BARNES
The article deals with an analysis of the image of I.S. Turgenev in the story “The Revival” by Julian Barnes. The aim of the work is to reveal the characteristics and the role of Turgenev’s image in the story “The Revival”. The chosen topic of the study is relevant due to the undying interest to the English writer‘s work in Russian literary studies. The personality and the work of Turgenev made an important impact on the Barnes’s wordview and his texts. In “The Revival” the author is focused on the artistic image of the Turgenev’s last love with the theatre actress Mariya Savina. Drawing on areal event from the life of Turgenev, Barnes creates his own perception of what was happening by using the literary techniques of fabulation, fragmentation and irony. British writer involves a reader into a specific game. A reader can hardly decide which facts are truth, about the Russian writer’s last love, when it is additionally complicated with the fragmentary images of what was happening between Turgenev and the actress, and illustrated by the letters of Russian writer filled in with frequent shifts between the episodes, showing the unreliability of the memory. The comprehension of the personality and the work of Russian writer is connected with the leading themes in the work of Barnes such as ageing, death and love.
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