{"title":"三十年:从斯蒂格勒的作品看后互联网时代的展览艺术&以让-弗朗索瓦·利奥塔的展览《immat<s:1> riaux》为例","authors":"J. Doyle","doi":"10.5040/9781501356346.ch-5","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":148760,"journal":{"name":"Aesthetics, Digital Studies and Bernard Stiegler","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thirty Years: An Analysis of the Exhibition Art Post-Internet through the Work of Bernard Stiegler with Reference to Jean-François Lyotard’s Exhibition Les Immatériaux\",\"authors\":\"J. Doyle\",\"doi\":\"10.5040/9781501356346.ch-5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":148760,\"journal\":{\"name\":\"Aesthetics, Digital Studies and Bernard Stiegler\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aesthetics, Digital Studies and Bernard Stiegler\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9781501356346.ch-5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aesthetics, Digital Studies and Bernard Stiegler","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781501356346.ch-5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Thirty Years: An Analysis of the Exhibition Art Post-Internet through the Work of Bernard Stiegler with Reference to Jean-François Lyotard’s Exhibition Les Immatériaux