识别电影文化和观众偏好

C. Pafort-Overduin, John Sedgwick, Lies Van de Vijver
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引用次数: 3

摘要

为了更好地了解电影市场和文化的规律和差异,本研究采用了比较的方法。我们的主题是1934年和1935年比利时根特市、荷兰乌得勒支市和英国博尔顿市观众的电影偏好和选择。1935年1月5日星期六是分析这三个城市电影节目数据的关键日期和起点。我们的研究结果表明,通过采用比较的方法,可以发现反映当地电影文化特点的“独特”标题。数据证实,博尔顿、根特和乌得勒支的观众被来自本国或邻国的电影强烈吸引,尤其是那些包含歌舞元素的电影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Identifying Cinema Cultures and Audience Preferences
For this study we have adopted a comparative approach to better understand the regularities and differences of cinema markets and cultures. Our subject is the film preferences and choices of audiences in the cities of Ghent (Belgium), Utrecht (Netherlands) and Bolton (United Kingdom) in 1934 and 1935. Saturday, January 5th, 1935 serves as a pivotal date and the starting point for analysis of the film programming data of these three cities. Our findings show that by adopting a comparative approach it is possible to detect ‘unique’ titles that reflect the peculiarities of the local film culture. The data confirms that audiences in Bolton, Ghent, and Utrecht were attracted strongly to films originating in their own or neighbouring countries, particularly if they contained elements of song and dance.
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