数字在地方:音乐空间和时间的创造性干预

D. D. Roure, P. Willcox
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引用次数: 7

摘要

阿达·洛夫莱斯指出,查尔斯·巴贝奇的分析机“可以创作出任何复杂程度或广度的精致而科学的音乐作品”。“数字转化为笔记”项目的第一阶段,探索了近两个世纪前,利用当时的数学,在巨大的蒸汽动力机器上,这种情况是如何发生的。现在我们要问的是,如果用微控制器代替分析引擎,Lovelace今天会做什么。在我们的实验中,多个设备被编程来产生音乐,通过人类创造性的干预来创作和影响定位声音的体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Numbers in places: creative interventions in musical space & time
Ada Lovelace noted that Charles Babbage's Analytical Engine "might compose elaborate and scientific pieces of music of any degree of complexity or extent". The Numbers into Notes project, in its first phase, explored how this might have occurred nearly two centuries ago on the giant steam-powered machine using the mathematics of the time. Now we are asking what Lovelace might do today, with a microcontroller instead of the analytical engine. In our experiment, multiple devices are programmed to generate music, with creative interventions by humans to compose and influence the experience in locative sound.
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