文学中的爱情话语(以埃里克·施密特的小说《阿雷佐广场》为例)

Елизавета Анатольевна Вдовиченко, Мбоу, Галина Игоревна Лушникова, Сош, Кемерово, Гуманитарно-педагогическая академия
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引用次数: 0

摘要

本文论述了艺术话语的研究,它具有子话语的真实性。在这种情况下,我们研究爱的话语。本文以法国著名作家、哲学家、剧作家埃里克·埃马纽埃尔·施密特的小说《阿雷佐广场的玫瑰》为背景,探讨了21世纪后现代主义小说中爱情话语的特点。爱情话语主要表现在对年龄、社会地位、性别地位不同的人物的描写上,也表现在对伴侣关系类型的描写上。界定了小说中爱情话语建构的基本原则,以及每一对恋人实现爱情话语的一般特征和具体特征。埃里克-埃马纽埃尔·施密特的小说《阿雷佐广场的玫瑰》中的爱情话语是典型的带有浪漫主义小说元素的后现代话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Discourse of Love in Literature (Based on the Novel by Eric Schmitt "Les Perroquets de la Place d'Arezzo")
article deals with the study of the artistic discourse, which has verities of sub-discourses. In this case, we investigate discourse of love. The authors discuss the peculiarities of the discourse of love as represented in the postmodernist fiction of the XXI century on the basis of the novel Les Perroquets de la Place d'Arezzo by a famous French writer Eric-Emmanuel Schmitt, who is also a famous philosopher and playwright.The love discourse is revealed in the description of characters that differ by their age, social and gender status, and also through the type of the relations between the partners. The basic principles of construction of discourse of love as well as the general and specific features of actualization of discourse of love with each couple presented in the discussed novel are defined. The love discourse in the novel Les Perroquets de la Place d'Arezzo by Eric-Emmanuel Schmitt has proved to be typical postmodern discourse with some elements of romantic fiction.
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