对私营影院的补贴

S. Akdede
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引用次数: 0

摘要

对私人剧院的补贴是许多国家主要的文化政策问题之一。增加观众数量是许多国家文化政策的重要优先事项。在许多国家,私人剧院和公共剧院一样是增加观众数量的重要文化实体。如果得到政府的补贴,公共剧院的主要目标也可以由私人剧院来实现。此外,私人剧院可以很好地为各国的文化多样性服务。在像土耳其这样政治两极分化的国家,国家剧院不能提供文化多样性,因为它们不能制作政治戏剧。如果政府制定了明确的文化补助计划,政府就可以对符合补助计划要求的剧院进行财政补助。世界范围内私人影院的市场结构接近完全竞争。这不是垄断,而是垄断竞争。如果私人影院的数量在增加,这并不意味着市场完全变成了资本主义。戏剧行业不像电影、电视或媒体行业。在较发达的国家,私人剧院比公共剧院要多,而且大多数私人剧院都得到中央和地方政府的补贴。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Subsidies to Private Theaters
Subsidies to private theatres are one of the main cultural policy problems of many countries. Increasing the number of audience is an important priority of many countries’ cultural policies. Private theatreas like public theatres are important cultural entities to increase the number of audience in many countries. The main goals of public theatres can be also met by private theatres if the governmet subsidies them. In addition, private theatres can serve very well to the cultural diversity of countries. State theatre, in politically polarized countries like Turkey, can not provide cultural diversity since they can not produce political plays. If government draws a good defined cultural subsidy program, it can provide fiscal aid to any theatre that meets the requirements of subdity program. Market structure of private theatres all over the world is close to perfect competion. It is not monopoly, but monopolistic comptetition. If the number of private theatres is increasing, it does not mean that the market becomes competely capitalistic. Theatre sector is not like cinema, TV, or media sector. There are more private theatres than public theatres in more developed countries and most of them get government subsidy from central and local governments.
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