正义,不公正和茱莉亚·克里斯特娃的作品

J. Lechte
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引用次数: 0

摘要

以主题为主的方法,这一反思旨在展示朱莉娅·克里斯蒂娃关于正义与不公正问题的丰富理论工作。不公正之所以成为首要问题,是因为对正义的定义仍然存在争议,而像雷诺·吉拉德(ren Girard)所描绘的替罪羊所体现的不公正,如果有的话,则远没有那么重要。通过她对mallarm的作品和德雷福斯事件的巴黎、csamline、卑下和反犹太主义、作为主体性关键组成部分的“相信的需要”、作为我们自己的他者的外国人、陀思妥耶夫斯基和宽恕的分析,她打开了一个关于不公正以及如何与之斗争的前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Justice, Injustice and the Work of Julia Kristeva
Taking a largely thematic approach, this reflection aims to demonstrate the richness of Julia Kristeva’s theoretical work in relation to questions of justice and injustice. Injustice becomes primary because a definition of justice continues to be open to debate, whereas injustice as incarnate in the scapegoat as depicted by René Girard is far less so, if at all. Through her analyses of the work of Mallarmé and the Paris of the Dreyfus affair, Céline and abjection and anti-Semitism, the ‘need to believe’ as a key component of subjectivity, the foreigner as the other in ourselves, Dostoyevsky and forgiveness, a vista is opened up onto injustice and how it might be combatted.
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