同性恋恐惧和包容的艺术

M. Rasmussen
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引用次数: 5

摘要

在澳大利亚、新西兰和美国,与性行为和学校教育相关的当代研究和教学往往侧重于减轻同性恋恐惧症和异性恋的方法,以期创建更包容女同性恋和男同性恋(很少包括双性恋、跨性别和双性人)教师和学生的学校。在这种范式中,构成性的概念通常被认为是给定的。另外,研究人员和教育工作者可能会援引本质化叙事,以便为采用LGBTI身份的学生和教师提供论据。在黛博拉·布里兹曼(Deborah Britzman3)和其他教育内外的酷儿理论家所影响的理论框架下,本文对这些包容策略进行了质疑。我特别关注与性行为和学校教育相关的研究方法和教学方法,这些研究方法和教学方法是以在中等教育环境中包容女同性恋、男同性恋、双性恋或变性(LGBT)的年轻人的名义设计的。这一分析基于我的博士研究,从对酷儿理论和包容艺术的思考开始。随后,我分析了包容的教学法和方法论,以及它们与酷儿理论的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Queer trepidations and the art of inclusion
Abstract Contemporary research and pedagogy telated to sexualities and schooling in Australia, Aotearoa1/New Zealand and the United States often focuses on ways to alleviate homophobia and heterosexism in the hope of creating schools that are more inclusive of lesbian and gay (and very rarely bisexual, transgender and intersex2) (LGBTI) teachers and students. Within this paradigm, the notion of what comprises sexualities is often taken as given. Alternatively, researchers and educators may invoke essentialising narratives in order to make arguments for the inclusion of students and teachers who adopt LGBTI identifications. Drawing on a theoretical framework influenced by the work of Deborah Britzman3 and other queer theorists within and outside education this article interrogates these strategies of inclusion. In particular, I focus on research methodologies and pedagogies related to sexualities and schooling devised in the name of inclusion of young people who identify as lesbian, gay, bisexual or transgender (LGBT)4 in secondary educational contexts. This analysis, which is based on my doctoral studies, commences with a consideration of queer theories and the art of inclusion. Subsequent to this I analyse pedagogies of inclusion and methodologies of inclusion, and, their nexus with queer theories.
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