伊朗在清真寺照明技术上的创新:历史调查

A. Moghaddasi, Mohammad Hossein Moghaddasi, Seyed Behshid Hosseini
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引用次数: 0

摘要

从保护可持续建筑价值的角度来看,在炎热和干燥的气候下,清真寺内部的日光一直面临着限制。需要利用日光来提供所需的照明,相反,防止灼热的沙漠阳光进入空间,这导致了伊朗建筑的创新技术。这些技术随着伊斯兰建筑不同时期空间语义概念的发展而逐渐演变,导致它们在清真寺建筑中的应用略有不同。在本文中,在分析光在清真寺建筑中的地位的同时,研究了位于伊朗炎热干燥气候下的清真寺照明的标准技术。本文采用定性与定量相结合的研究方法。由于当前的历史建筑研究不能仅仅基于基于感知的定义,作者必须将概念特征转化为可测量的指标。为了实现这一点,定义了一个从0到3的数值指数。评分依据的是平面图、图片等文件。尽管大多数案例研究对象都是几个世纪以来建造的,但它们具有将其与特定历史时代区分开来的一般特征。作者研究了这些技术在四个伊斯兰建筑时期的清真寺中的应用,并以趋势图的形式展示了结果。此外,他们观察了伊朗建筑从伊斯兰时期开始到卡扎尔时期的历史时期的连续性原则,并根据研究的理论基础,分析了每种技术起起落落的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Iranian innovations in mosque lighting techniques: A historical survey
Abstract From the viewpoint of preserving the values of sustainable architecture, daylight in the interiors of mosques in hot and dry climates has always faced limitations. The need to use daylight to provide the required lighting and, in contrast, to prevent the scorching desert sun from entering the spaces led to innovative techniques in Iranian architecture. These techniques have gradually evolved along with the development of semantic concepts of space in different periods of Islamic architecture, which has resulted in slight differences in their application in mosque buildings. In this article, while analysing the place of light in mosque architecture, the standard techniques in lighting mosques located in Iran’s hot and dry climate are studied. The employed research method is a combination of qualitative and quantitative approaches. As the current historic-architectural research cannot be based solely on perception-based definitions, authors had to convert the conceptual features into a measurable index. To achieve this, a numerical index with the scale from 0 to 3 has been defined. The scoring was based on documents such as plans, images, etc. Although most case study objects were built over the centuries, they have general characteristics that distinguish them from a specific historical era. The authors studied the application of these techniques in some examples of selected mosques from four periods of Islamic architecture and present the results in the form of trend charts. Furthermore, they observed the principle of continuity in Iranian architecture from the historical period from the beginning of the Islamic period to the Qajar period, and, in accordance with the theoretical foundations of research, analysed the reasons for the ups and downs of each of the techniques.
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