走向一个整体的沉思的愿景:

Christian Lingner
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引用次数: 0

摘要

依纳爵精神的特点是强调沉思作为一种分辨的手段,一种强调基督徒生活的内在和伦理层面的统一的方法。然而,依纳爵的《灵修》也被其中概述的沉思方法所定义,这种方法强调了想象力在与福音书中所描述的基督的接受和互动中所起的作用。虽然20世纪德国天主教哲学家约瑟夫·派珀最常与他关于阿奎那和基本美德的流行作品联系在一起,但在他的作品中,有一种沉思的潜流,与圣依纳爵的思想相一致。Pieper将沉思定义为“一种由爱的接受所激发的视觉感知”,强调了个人的接受姿态,以及在拥抱存在的积极反应中沉思和伦理的内在配对。正如伊格内修斯相信想象力,一种连接个人创造力和记忆的内在能力,与精神发展有关,所以派珀断言,通过艺术创作和参与公共崇拜,对存在的想象性表现源于爱,并培养了个人感知爱的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Toward a Holistic Contemplative Vision:
Ignatian spirituality is characterized by an emphasis on contemplation as a means of discernment, an approach that highlights the unity of the interior and ethical dimensions of the Christian life. Yet Ignatius’ Spiritual Exercises are also defined by the modus operandi of the contemplative method outlined therein, one that highlights the imagination’s role in a receptive and interactive engagement with the person of Christ as depicted in the Gospels. Though 20th century German Catholic philosopher Josef Pieper is most commonly associated with his popular works on Aquinas and the cardinal virtues, there is a contemplative undercurrent throughout his writing that corresponds with the thought of St. Ignatius of Loyola. Pieper defines contemplation as “a visual perception prompted by loving acceptance,” stressing both the receptive posture of the individual but also the intrinsic pairing of contemplation and ethics in an active response of embracing existence. Much as Ignatius believes the imagination, the inner capacity that links creativity and memory in an individual, to be pertinent to spiritual development, so Pieper asserts that an imaginative representation of Being through the creation of art and participation in communal worship proceeds from love and cultivates the individual’s capacity to perceive lovingly.
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