未驯服的地球:河流的劳动在Hölderlin的Der Ister

Rochelle Tobias
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引用次数: 0

摘要

是什么让一条河离开它的藏身之处?什么能迫使它放弃它的来源?当它还能享受到树木和岩石的保护时,为什么要冒险进入一个会暴露在阳光下的山谷呢?这些都是Hölderlin晚期诗歌中常见的问题,这些诗歌一次又一次地回到河流的主题,这些河流将凡人和不朽联系在一起,同时又将他们分开,以便每一个人都可以作为“和谐对立”的术语联系在一起,借用Hölderlin诗歌理论中的一句话河流创造音乐,或者更好的是,它们创造和谐。然而,由于物质或精神的过剩,这种和谐在任何时候都可能被破坏。河流可以泛滥,也可以干涸;他们可以抵抗周围的银行,或者这些银行也可以抵抗并阻碍他们的发展。这两件事都暴露了精神与物质之间的不安关系,而这种关系实际上是Hölderlin的生命基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Untamed Earth: The Labor of Rivers in Hölderlin’s Der Ister
What would move a river to leave its hiding place? What could compel it to abandon its source? Why would it venture into a valley where it would be exposed to the heat of the sun, when it could still enjoy the protection of trees and rock? These are familiar questions in Hölderlin’s late poetry, which returns again and again to the theme of the rivers that at once connect mortals and immortals, while at the same time holding them apart so that each may relate to the other as “harmonically opposing” terms, to borrow a phrase from Hölderlin’s poetic theory.1 Rivers make music, or better yet, they establish harmony. It is, however, a harmony that can be disrupted at any point owing to an excess of matter or spirit. Rivers can overflow, or alternatively they can dry up; they can resist the banks that surround them, or these same banks can resist and impede their progress. Either event exposes the uneasy relationship between spirit and matter that is in fact the basis of life for Hölderlin.
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