从旁遮普到佩吉湾:班格拉男孩背后的快乐行动主义(2019)

R. Bannerjee
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引用次数: 0

摘要

本文将研究2019年南希·阿克曼(Nancy Ackerman)的纪录片《班格拉男孩的背后》(Behind the Bhangra Boys)如何解构加拿大东部当代锡克教移民身份的复杂性,并强化一个人在Mi 'kma 'ki(也被称为新斯科舍省)未被割让的领土上成为受欢迎客人的社会责任的复杂性。这部电影以五位年轻的锡克教移民充满活力的编舞和慷慨的心为基础,提醒观众保护社区和地球是快乐行动主义的一部分,同时遵循古鲁纳纳克的教导,无论是沿着佩吉湾的岩石海岸线还是旁遮普肥沃的农田。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019)
This paper will examine how the 2019 Nancy Ackerman documentary film Behind the Bhangra Boys both deconstructs the complexities of contemporary Sikh immigrant identity in Eastern Canada and reinforces the intricacies of one’s social responsibility of being a welcome guest on the unceded territories of Mi’kma’ki, otherwise known as Nova Scotia. Following the energetic choreography and generous hearts of five young Sikh immigrants, the film reminds viewers that the protection of community and the planet is part and parcel of joyful activism, whilst following Guru Nanak’s teachings, be it along the rocky shoreline of Peggy’s Cove or the fertile farmlands of Punjab.
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