{"title":"1953 - c。马克斯·比尔对<s:1>圣保罗双年展的批评在巴西产生了重大影响:奥斯卡·尼迈耶(Oscar Niemeyer)写了一篇“认错书”,ssamrgio Bernardes投资设计了一个技术乌托邦,jo<s:1> o Filgueiras Lima毕生致力于预制","authors":"","doi":"10.7560/758650-056","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":333130,"journal":{"name":"Modern Architecture in Latin America","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"1953-c. Max Bill’s critique of the São Paulo Biennial has a significant impact in Brazil: Oscar Niemeyer writes a “mea culpa,” Sérgio Bernardes invests in designing a technological utopia, and João Filgueiras Lima devotes his life to prefabrication\",\"authors\":\"\",\"doi\":\"10.7560/758650-056\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":333130,\"journal\":{\"name\":\"Modern Architecture in Latin America\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modern Architecture in Latin America\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/758650-056\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modern Architecture in Latin America","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/758650-056","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
1953-c. Max Bill’s critique of the São Paulo Biennial has a significant impact in Brazil: Oscar Niemeyer writes a “mea culpa,” Sérgio Bernardes invests in designing a technological utopia, and João Filgueiras Lima devotes his life to prefabrication