理查德·赖特

James B. Haile
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引用次数: 1

摘要

理查德·赖特是一位非裔美国作家,传统上是在美国(和西方)文学现实主义框架下阅读的。不过,围绕他后来的俳句自然写作的学术研究越来越多。在这一学术研究中,学者们对他的政治思想如何影响他对日本俳句形式的改编进行了理论化。无论是传统的还是新兴的,很少有学者关注他后期俳句中出现的“自然思维”在他早期、中期和晚期的写作中已经出现的方式。但是,更重要的是,很少有学术关注他的自然思维对他的“文学现实主义”发展的形成方式。James B. Haile III的这一章不仅在他的散文中展示了“自然思维”与政治之间的联系,而且还论证了赖特本人既参与了美国黑人自然写作的发展,又对其形成了影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Richard Wright
Richard Wright is an African American writer traditionally read within the American (and Western) literary realist framework. There is, though, a growing body of scholarship around his later haiku nature writing. Within this scholarship, scholars have theorized the ways in which his political thinking influenced his adaptation of the Japanese haiku form. Little of the scholarship, traditional or burgeoning, has focused on the ways in which the “nature thinking” present in his later haiku was already present throughout his early, middle, and late writing. But, what is more, little of the scholarship focuses on the ways in which his nature thinking was formative to the development of his “literary realism.” This chapter by James B. Haile III not only demonstrates the linkage between “nature thinking” and politics in his prose but also argues that Wright himself both participated in and was formative to the development of black nature writing in the United States.
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