从非属类遗产看雷州舞狮“蜈蚣舞”的艺术价值

芷萱 李
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引用次数: 0

摘要

当今时代的飞速发展,使得许多艺术门类得到了更好的传播,如一些实物器具文化具象文物符号的发掘和保护,但对文化“动态遗产”非遗产白话文化的保护很少。本文以广东省雷州市吴石港的“蜈蚣舞”为主要分析对象。通过对乌市“蜈蚣舞”过去和现在的分析,我们可以更好地了解它的历史传承和时代创新。我们要塑造一种既不失去“原汁原味”又能生发现代人的符号语言,让非传承舞蹈不仅仅存在于人们的想象中,而是从“想象-想象”走向“现实”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Artistic Value of “Centipede Dance” in Leizhou Wushi from the Perspective of Non-Generic Heritage
The rapid development of today’s time has made many art categories to be better disseminated, such as the excavation and protection of some physical apparatus culture figurative cultural relics symbols, but little protection of cultural “dynamic heritage” non-heritage vernacular culture. This paper takes the “Centipede Dance” of Wushi Port in Leizhou City, Guangdong Province as the main object of analysis. Through the analysis of Wushi’s “Centipede Dance” in the past and the present, we can better understand its historical inheritance and innovation of the times. We will shape a symbolic language that does not lose its “original flavor” but can also give rise to modern people, so that the non-heritage dance does not only exist in people’s imagination, but moves from “im-agination” to “reality”.
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