韩国言情剧与受众阅读:接受分析

Puji Rianto
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引用次数: 0

摘要

此次调查是为了回答年轻观众对韩国爱情剧的接受或理解情况。爱情剧是一个主题,因为它在人类生活中很粘,尤其是青少年。本研究采用网络学的定性方法,发现受众的阅读可以分为三种形式,即主导-霸权、协商和反对。与其他阅读模式相比,主导-霸权阅读模式是最强大的阅读模式。主导-霸权的阅读模式是通过一个浪漫的故事来体现的,它触动了观众的情感维度。另一方面,谈判的阅读,只要它不涉及社会阶层,就接受爱情剧,而反对派的阅读则完全拒绝韩国爱情剧,因为它不真实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ROMANTIC DRAMA OF KOREAN AND AUDIENCE READING: ANALYSIS OF RECEPTION
The research was conducted to answer how the reception or intepretation of the audience among young people towards Korean romantic drama. Romantic drama is a theme that is taken because it is sticky in human life, especially teenagers. By using qualitative methods by adopting netnography, this study found that reading of audiences can be divided into three forms, namely dominant-hegemonic, negotiating, and opposition. The dominant-hegemonic reading model is the most powerful reading model compared to other models. The dominant-hegemonic reading model is indicated by a romantic story that touches the audience's emotionality dimension. The reading of the negotiations, on the other hand, accepting romantic drama insofar as it does not involve the social class, while the reading of the opposition totally rejects Korean romantic drama as unreal.
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